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Dub Assassins

  • Home
  • ABOUT
    • BIO / EPK
    • Selected Production & Vocal Services
  • Video
    • 📺 ACOUSTIC LIVE AT DAYDREAM FARM
    • 🎬 OFFICIAL VIDEOS
    • 🔊 ON STAGE
    • 🔁 In the Dub Lab
    • 🎛 STUDIO SESSIONS
    • 🎥 BEHIND THE SCENES / DUB LIFE
    • 🎙 Music, Life, Whatever — Stories & Conversations
  • Photos
  • Shows
  • Store
  • Music
  • Booking
  • Contact
  • The Dub Club

Apr 5, 2026

Sir Coxsone Dodd: The Founder of Studio One

Not many figures in Jamaican music history were as influential as Clement Coxsone Dodd, the legendary producer behind Studio One. Often called the “Motown of Jamaica,” Studio One was responsible for launching countless careers and shaping nearly every…

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Apr 5, 2026

Augustus Pablo: Mystic Architect of the Melodica Sound

Few instrumentalists in reggae history created a musical voice as instantly recognizable as Augustus Pablo. Known for his haunting melodica melodies and meditative production style, Pablo became one of the defining musical figures of 1970s roots reggae and dub.…

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Apr 5, 2026

Errol Thompson: The Mighty Two and the Rise of Dub

Producer and recording engineer Errol Thompson was one of the most important figures behind the scenes during reggae’s golden age. Although his name may not be as widely recognized as some performers, Thompson helped shape the sound of reggae and…

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Apr 5, 2026

The Aggrovators: Bunny Lee’s Rhythm Machine

Among the many studio bands that powered Jamaica’s recording industry during the 1970s, The Aggrovators stand out as one of the most prolific and influential. Operating primarily as the house band for producer Bunny Lee, the Aggrovators created the…

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Apr 5, 2026

The Upsetters: Lee Perry’s Sonic Laboratory

Few studio bands in reggae history were as innovative as The Upsetters. Created by visionary producer Lee Scratch Perry, the Upsetters became both a rhythm section and a musical laboratory where some of reggae’s most groundbreaking recordings were…

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Apr 5, 2026

Tools of The Trade : The Grampian 636 Reverb

Among the many pieces of studio equipment that shaped the sound of dub reggae, few were as influential as the Fisher K-10 SpaceXpander, a valve-powered spring reverb unit introduced around 1960. Originally designed for home hi-fi systems, this modest…

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Apr 5, 2026

How the Cocaine Trade Shaped Dancehall Music in Early 1980s Jamaica

By the early 1980s Jamaica was undergoing a profound transformation, both socially and musically. The global cocaine trade had begun to expand rapidly through the Caribbean, and Jamaica became one of the many transit points in the growing pipeline between…

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Apr 5, 2026

Soul Syndicate: Jamaica’s Quiet Studio Powerhouse

Among Jamaica’s great studio bands of the 1970s, Soul Syndicate stands as one of the most influential yet often underappreciated. While groups like The Wailers or The Upsetters became internationally recognized names, Soul Syndicate built its reputation quietly inside Kingston’s…

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Apr 5, 2026

Skinheads and Reggae: The Working-Class Alliance That Shaped a Music Scene

The connection between skinheads and reggae is one of the most fascinating cultural crossovers in modern music history. In late-1960s Britain, Jamaican music found an enthusiastic audience among working-class white youth who were forming a new subculture known as the …

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Apr 5, 2026

The Roots Radics: Architects of the Early Dancehall Sound

Few bands shaped late-1970s and early-1980s reggae as decisively as Roots Radics. Emerging during a transitional period between roots reggae and the new digital dancehall era, the Roots Radics created some of the deepest, heaviest rhythms in Jamaican music.…

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Apr 5, 2026

The Garrard 4F Turntable and the Birth of Jamaican Sound System Culture

In the 1950s and early 1960s, long before DJs performed with two turntables and a microphone, Jamaican sound systems were powered by a simpler but remarkably durable machine: the Garrard 4F turntable. This heavy British-built record player became one…

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Apr 5, 2026

The Mysterious and Untimely Demise of Tenor Saw

In the mid-1980s, few voices in Jamaican dancehall were as instantly recognizable as Tenor Saw. His haunting, almost floating vocal style and unforgettable hooks helped define the emerging digital dancehall era. At just nineteen years old he had already…

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  1. 1
    Sometimes I 4:12
    Sometimes I
    by Predator Dub Assassins

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    0:00/4:12
  2. 2
    Downtown Killa 3:28
    Downtown Killa
    by Predator Dub Assassins

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    0:00/3:28
  3. 3
    Runnin Out 3:40
    Runnin Out
    by P-Dub

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    0:00/3:40
  4. 4
    Payroll (feat Yelow) 3:50
    Payroll (feat Yelow)
    by P-Dub

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    0:00/3:50
  5. 5
    Come Back Down 3:14
    Come Back Down
    by Predator Dub Assassins

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    0:00/3:14
  6. 6
    Dirty Jersey 4:19
    Dirty Jersey
    by Predator Dub Assassins

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    0:00/4:19
  7. 7
    Positive Progression 3:02
    Positive Progression
    by P-Dub

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    0:00/3:02
  8. 8
    Blue Monday 3:27
    Blue Monday
    by Predator Dub Assassins

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    0:00/3:27
  9. 9
    Only Love Can Break Your Heart 3:34
    Only Love Can Break Your Heart
    by Predator Dub Assassins

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    0:00/3:34
  10. 10
    Hammer 2:37
    Hammer
    by Predator Dub Assassins

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    0:00/2:37
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